Serious Actors Develop Deep Audition Skills – Acting Techniques

July 26, 2012 · Posted in Education · Comment 

Acting involves the development of many skills, one of which is auditioning, a skill you can develop in some acting classes in NYC. Gaining acting experience on stage, film or television is an important way to develop acting skills, but that won’t happen if you don’t audition well. If auditioning is not being taught in your acting classes in NYC, it’s a skill that you will need to work on developing. Being prepared, with a deep set of auditioning skills is necessary if you expect to exploit every opportunity to audition that comes your way. Acting classes in NYC that teach the Meisner discipline are known for turning out highly professional actors that know how to work. Meisner acting techniques are strongly connected to powerful auditioning skills.

One or two ways actors tend to crash and burn during auditions are common. The first is to be overconfident. At the same time, being deeply insecure won’t help either. Being overly nervous or overconfident is not what will count against you in an audition. Being nervous or confident projects a sense of “self awareness” which can kill a great acting performance.

This is a very bad acting habit, being too closed off and too rehearsed and it’s a poor auditioning technique as well. Too nervous, and it’s too distracting to you and the auditors and you run the risk of not being open to the performance and the emerging character. The many layers of human traits, communicated in a thousand smalls ways is what must shine through, how you feel personally can’t inhibit this.

Many preparing for auditions consider the slate unimportant. As many of you know, the slate is when you state your name into the camera so the auditors can keep track of everyone they’ve seen. What may seem to have little importance, in fact may be the very thing that keeps you from being seen. The bad news is this. Watching past the slate to see the actual audition is not always the norm. Seeing hundreds of actors audition for a role is a daunting task. Anything to speed things up, like a poor or boring slate, is a good excuse to just move on. A quick dismissal of an actor’s tape because of a lackluster slate gets them to their goal more quickly.

While this may seem harsh, it is certainly expedient. Fair or not, this is the way it is more often than not. While some acting classes deal with auditioning, many don’t. Acting classes in NYC are a great resource for learning about slates. Slating on an audition tape is sometimes required to enroll in acting classes in NYC. It’s something you can do on your own, and do quite well with a little help from a friend. Enlist a friend to help record your efforts on tape and you will instantly see how well you are doing. Practicing slates isn’t easy. Looking into the camera and truly communicating to a presence beyond the camera is an art form in and of itself. This is something you can record, playback and assess. Feedback from people you trust is also important, the slate should communicate who you are.

Keep the information to a minimum and keep it simple. The shorter the better so they move on to the critical thing, the audition. When auditioning for commercials a hint of character might be okay. If you fall short of their expectations they may hit the eject button before the actual tape. The goal of the slate is to present yourself as an actor and a person, not as the character. Once the slate is done, move quickly into character and give them the portrayal they could never have anticipated, the character they didn’t even know they wanted. if you want to know more, look into Meisner acting NYC, for tips on how to create character, emotional preparation and scene study for auditioning.

The Maggie Flanigan Studio provides meisner acting training in New York City. For more information about acting classes nyc visit the studio website where you can get specific answers to any question you have.

Acting Auditions – Difficulties and Obstacles Make Your Character Believable

July 26, 2012 · Posted in Entertainment · Comment 

There is no question that the majority of people wish to avoid a state of conflict and drama. It can inevitably lead to anxious feelings, fear, and chaos. However, during an acting audition, conflict is essential to delivering an impressive reading. In order to have a good audition, it is necessary for an actor to find the conflict within a story and within a character.

The majority of persons and characters have internal conflicts between desires and feelings. External conflicts can also permeate a person’s life in the form of struggles between man and God, fate, the world, and Mother Nature. And, of course, relational conflicts exist as well. When an actor reads for an audition, he or she is only given the bare framework such as a story overview and the lines. Every story and character has interior conflicts, with some being harder to uncover than others. It is the actor’s job to find the hidden conflict and give it life in their audition.

Conflict is always interesting. Conflict provides an element of depth and movement to a story and character. Once the desires and needs of a character have been discovered by the actor, obstacles are inevitable. That is life. All obstacles in our lives must be manipulated or overcome until they cease being hurdles and become collaborators. “Midnight Run” is a perfect movie to consider. Robert De Niro plays a bounty hunter who is responsible for the capture of Charles Grodin’s character. Jack (De Niro) is driven to find his bounty, Mardukas (Grodin), so that he can receive the bounty money. Jack is met with a number of conflicts including his personal insecurities, rival bounty hunters, and the infamous Mardukas.

All of the answers may not be provided to you in the material provided to you at the audition. To strengthen your acting audition, you may need to create a character yourself, one that has conflicting desires and needs. In this way, you will be more likely to grab onto and hold the auditor’s attention and make the performance more real for the viewer. Far worse than creating the “wrong” conflict is delivering a performance without any emotion and depth. If you are able to flesh out a character in this way, your auditions are sure to be more successful.

Make sure that the conflict you create is multi-dimensional. The average character will have several different desires and feelings that are in constant struggle with each other. If you are looking to make a good impression on the auditor, ensure that you portray this in your reading. The lines being recited are not nearly as important as the character that is created by the actor.

Although your character may be the only live person in the scene, there are doubtless other hidden forces affecting his or her life. To have a successful reading, you as an actor must know how to draw these emotions and circumstances out of the text and take the character to the next level. There is another thing to remember about conflict. A small amount of comedy should also be present within any conflict. Even the largest conflict will contain some levity. Neglecting to add comedy will make the reading unwatchable. In short, conflict and comedy are both an integral part of a successful and impressive reading.

Kirk Baltz has been a acting coach for more than 15 years. Kirk helps actors of all levels get the roles that they desire. You can read more about improve acting auditions at the actor’s intensive website.